Seiichi Furuya and Christine Gössler, Love and Violence Brought Face to Face
35 years after his wife committed suicide, as a tribute, the photographer placed her portraits side by side with his in 'Face to Face.'
Graz, 1978 (c) Seiichi Furuya & Christine Gössler / Chose Commune
After the death of his wife Christine Gössler—who committed suicide in 1985—photographer Seiichi Furuya dedicated five books to her work and their relationship in a series entitled Mémoires, published between 1989 and 2010. Released in 2020, Face to Face contains 150 pairs of photographs taken over seven years of life spent together.
Founder of the magazine Camera Austria, Seiichi Furuya left Japan in 1973 to settle in Graz, Austria. His life and work would be turned upside down in 1978 when he met Christine Gössler, a history student who later moved into theatre. The first part of his body of work was devoted to scenes of everyday life in cities in Eastern Europe, but after he met Christine, Seiichi Furuya dedicated himself to photographing portraits of his wife, alone or with their child. In 1984, the family moved to Dresden, then East Berlin, where Seiichi Furuya—who was not yet making a living from photography—worked as an interpreter. On 7 October 1985, which marked the thirty-sixth anniversary of the German Democratic Republic, Christine, who suffered from schizophrenia, committed suicide.
Shared moments
In 2018, Seiichi Furuya discovered some photographs taken by Christine Gössler with a 35-mm compact camera and compiled numerous self-portraits, taken by his wife at the same moments as when he was photographing her. Some of these photographs, taken in their home or during stays in Germany, Japan, Italy, or Austria, are almost an imitation of each other, while others combine poses in a different environment or posture. They reveal a touching sense of complicity in the banal moments of everyday life.
As he explained in 1980 to Camera Austria magazine (words quoted by ArtForum): ‘In her, I can see the woman that passes in front of my eyes, I can see the model, sometimes the woman I love, and at other times the shape of the woman inside me. I feel that it is my duty to keep on photographing the woman who has so many meanings for me. By facing her, by photographing her, and then by seeing her in the photographs, it is like seeing myself at the same time, discovering myself.‘
In addition to the earlier series dedicated to his wife, Seiichi Furuya’s first pieces of work transport the public to the streets of Tokyo, Istanbul, and Amsterdam.
Face to Face (2020), a book of photographs by Seiichi Furuya and Christine Gössler, is published by Chose Commune.
Graz, 1979 (c) Seiichi Furuya & Christine Gössler / Chose Commune
Graz, 1979 (c) Seiichi Furuya & Christine Gössler / Chose Commune
Izu, 1978 (c) Seiichi Furuya & Christine Gössler / Chose Commune
Izu, 1978 (c) Seiichi Furuya & Christine Gössler / Chose Commune
TRENDING
-
A House from the Taisho Era Reveals Its Secrets
While visiting an abandoned building, Hamish Campbell discovered photographs the owner had taken of the place in the 1920s.
-
The Taboo-Breaking Erotica of Toshio Saeki
The master of the 1970s Japanese avant-garde reimagined his most iconic artworks for a limited box set with silkscreen artist Fumie Taniyama.
-
With Meisa Fujishiro, Tokyo's Nudes Stand Tall
In the series 'Sketches of Tokyo', the photographer revisits the genre by bringing it face to face with the capital's architecture.
-
Masahisa Fukase's Family Portraits
In his series ‘Family’, the photographer compiles surprising photos in which he questions death, the inescapable.
-
Hajime Sorayama's Futuristic Eroticism
The illustrator is the pioneer for a form of hyperrealism that combines sensuality and technology and depicts sexualised robots.